即梦AI镜头运镜情绪表达
#镜头运镜#情绪表达
中文翻译
使用Seedance 2.5制作
时长:17秒
宽高比:16:9
提示词:
创作一段17秒、超写实、电影级的竖向视频,主角为提供的角色参考中的女性。
使用新提供的女性角色参考,作为主角唯一的身份参考。不要使用分镜中可见女性的脸或身份。
使用提供的13格主分镜表,作为整个视频精确的视觉、时间顺序和动作指引。
角色一致性:
整个视频中精确保留提供女性的面部身份,包括她的面部结构、眼睛、鼻子、嘴唇、肤色、深色长发、身体比例,以及可识别的外貌。
每个镜头中,她的身份必须保持不变。
角色从始至终保持视觉一致。不要面部漂移、身份变化、发型变换或替代角色。
服装应自然适配火山冒险,同时在整个序列中保持可信、一致的穿着。
重要:
主分镜表控制场景、动作、摄像机推进、时间安排和视觉构图。
提供的角色参考只控制主要女性的身份和外貌。
不要复制分镜中女性的脸。
故事与动作:
镜头1——0:00–0:02
开场,女性在巨大火山口边缘附近,拿着一个巨大的透明袋,里面完全装满尚未爆开的爆米花玉米粒。
使用近景至中景的电影级视角,展示她、巨大的爆米花袋,以及背景中发光的火山口。
她带着好奇期待看向火山口。
镜头2——0:02–0:03
她低头看向火山口时,摄像机移近。
她看着下方发光的熔岩,表情略微变化。
巨大的爆米花袋仍牢牢拿在她手中。
镜头3——0:03–0:04
她松开巨大的爆米花袋。
透明袋开始向下落入火山口。
使用动态摄像机运动,跟随坠落的袋子。
让袋子保持物理一致且清楚可见。
镜头4——0:04–0:05
袋子处于发光的熔岩火山口上方。
使用戏剧化俯视视角,向下看入圆形火山结构。
袋子在重力作用下继续自然下落。
发光熔岩照亮透明塑料和玉米粒。
镜头5——0:05–0:06
袋子落得更靠近熔岩。
增强速度感,同时保持真实重力和物理运动。
摄像机跟随袋子,朝火山口中央移动。
镜头6——0:06–0:08
火山口突然喷发。
强大的垂直火山喷发从中央升起。
爆米花袋卷入喷发。
使用戏剧化的俯视全景,展示火山口完整尺度。
镜头7——0:08–0:09
喷发变成刚爆好的爆米花的巨大爆炸。
数千颗真实爆米花向上、向外迸发。
使用快速的电影级摄像机推近,进入爆米花云。
每颗爆米花都应有可信的独立运动。
镜头8——0:09–0:10
爆米花爆炸充满画面,转场至一辆小车或一间舱室内部。
爆米花冲过空间,开始到处堆积。
爆米花浪潮朝摄像机移动时,使用强烈向前运动。
镜头9——0:10–0:12
舱室快速被爆米花填满。
爆米花从地板升起,自然堆积在座位和内部表面周围。
体积持续增加,直到女性被包围。
不要让爆米花瞬间出现。
镜头10——0:12–0:14
摄像机穿过爆米花,推向女性。
她部分埋在巨大爆米花堆里,上半身和脸清楚可见。
她看向摄像机,开始笑。
爆米花在她肩膀和手臂周围自然移动。
镜头11——0:14–0:15
特写女性从爆米花中出来。
她直接对摄像机微笑。
几颗爆米花自然落在她头发和肩膀上。
温暖橙色火山光照亮她的脸。
镜头12——0:15–0:16
她用双手抓起一大把爆米花。
她带着俏皮、欣喜的表情,将爆米花送向嘴边。
保持爆米花颗粒物理一致且位置自然。
镜头13——0:16–0:17
极端特写的最后一刻。
她看向摄像机,开心地吃爆米花。
周围都是爆米花,她俏皮地微笑。
以她满足的表情结束。
摄像机:
全程使用有动机的电影级摄像机运动:
手持特写、俯视火山口镜头、动态跟拍、戏剧化推近、爆米花微距细节,以及亲密的最终特写。
只在增强喷发和爆米花爆炸效果的位置,使用细微速度变化。
物理:
真实重力。
真实下落运动。
真实火山喷发动力学。
真实爆米花膨胀和飞行。
真实爆米花堆积与重量。
女性与爆米花之间真实的互动。
不要瞬移。
不要重复角色。
不要重复爆米花袋。
不要变化的服装。
不要面部漂移。
不要扭曲的手。
不要无物理原因的漂浮物体。
音频:
自然环境声结合电影级动作声音设计。
包含火山口周围的风、深沉火山轰鸣、坠落物体声、喷发冲击、奔涌空气、爆米花撞击、舱室运动,以及女性自然笑声。
不要对白。
不要旁白。
不要字幕。
不要文字叠加。
不要标志。
不要水印。
最终观感:
超写实的真人实拍电影画面,带超现实喜剧冒险感。
序列必须按时间顺序,精确遵循13格主分镜表。
新提供的女性,从第一帧到最后一帧,都必须保持为同一个可识别的人。
只有角色身份被改变。分镜中的其他一切都保持不变。
原帖
Made with Seedance 2.5
Duration: 17 seconds
Aspect Ratio: 16:9
Prompt:
Create a 17-second ultra-realistic cinematic vertical video featuring the woman from the provided character reference.
Use the newly provided female character reference as the ONLY identity reference for the main character. Do NOT use the face or identity of the woman visible in the storyboard.
Use the provided 13-panel Master Storyboard as the exact visual, chronological and action guide for the entire video.
CHARACTER CONSISTENCY:
Preserve the exact facial identity of the provided woman throughout the entire video, including her facial structure, eyes, nose, lips, skin tone, long dark hair, body proportions and recognizable appearance.
Her identity must remain unchanged in every shot.
Keep the character visually consistent from beginning to end. No face drift, no identity change, no hairstyle transformation and no replacement character.
The wardrobe should be adapted naturally for the volcanic adventure while maintaining a believable, consistent outfit throughout the sequence.
IMPORTANT:
The Master Storyboard controls the scenes, actions, camera progression, timing and visual composition.
The provided character reference controls ONLY the identity and appearance of the main woman.
Do not copy the storyboard woman's face.
STORY AND ACTION:
SHOT 1 — 0:00–0:02
Begin with the woman holding an enormous transparent bag completely filled with unpopped popcorn kernels near the edge of a massive volcanic crater.
Use a close-to-medium cinematic perspective showing her, the giant popcorn bag and the glowing crater in the background.
She looks toward the crater with curious anticipation.
SHOT 2 — 0:02–0:03
Move closer as she looks down toward the crater.
Her expression changes slightly as she watches the glowing lava below.
The giant popcorn bag remains firmly in her hands.
SHOT 3 — 0:03–0:04
She releases the giant popcorn bag.
The transparent bag begins falling downward into the crater.
Use a dynamic camera movement following the falling bag.
Keep the bag physically consistent and clearly visible.
SHOT 4 — 0:04–0:05
The bag hangs above the glowing lava crater.
Use a dramatic overhead perspective looking down into the circular volcanic formation.
The bag continues descending naturally under gravity.
The glowing lava illuminates the transparent plastic and popcorn kernels.
SHOT 5 — 0:05–0:06
The bag falls closer toward the lava.
Increase the sense of speed while maintaining realistic gravity and physical motion.
The camera follows the bag toward the center of the crater.
SHOT 6 — 0:06–0:08
The crater suddenly erupts.
A powerful vertical volcanic burst rises from the center.
The popcorn bag is caught in the eruption.
Use a dramatic wide overhead shot showing the full scale of the crater.
SHOT 7 — 0:08–0:09
The eruption transforms into an enormous explosion of freshly popped popcorn.
Thousands of realistic popcorn pieces burst upward and outward.
Use a fast cinematic camera push into the popcorn cloud.
Each popcorn piece should have believable individual motion.
SHOT 8 — 0:09–0:10
The popcorn explosion fills the frame and transitions into the interior of a small vehicle or cabin.
Popcorn rushes through the space and begins accumulating everywhere.
Use strong forward motion as the popcorn wave moves toward the camera.
SHOT 9 — 0:10–0:12
The cabin rapidly fills with popcorn.
Popcorn rises from the floor and piles naturally around the seats and interior surfaces.
The volume increases continuously until the woman is surrounded.
Do not make the popcorn appear instantaneously.
SHOT 10 — 0:12–0:14
The camera pushes through the popcorn toward the woman.
She is partially buried in the enormous pile, with her upper body and face clearly visible.
She looks toward the camera and begins laughing.
Popcorn moves naturally around her shoulders and arms.
SHOT 11 — 0:14–0:15
Close-up of the woman emerging from the popcorn.
She smiles directly toward the camera.
A few popcorn pieces rest naturally in her hair and on her shoulders.
Warm orange volcanic light illuminates her face.
SHOT 12 — 0:15–0:16
She gathers a large handful of popcorn with both hands.
She brings it toward her mouth with a playful, delighted expression.
Keep the popcorn pieces physically consistent and naturally positioned.
SHOT 13 — 0:16–0:17
Extreme close-up final moment.
She happily eats the popcorn while looking toward the camera.
She smiles playfully with popcorn around her.
End on her satisfied expression.
CAMERA:
Use motivated cinematic camera movement throughout:
handheld close-ups, overhead crater shots, dynamic tracking, dramatic push-ins, macro popcorn details and an intimate final close-up.
Use subtle speed changes only where they enhance the eruption and popcorn explosion.
PHYSICS:
Realistic gravity.
Realistic falling motion.
Realistic volcanic eruption dynamics.
Realistic popcorn expansion and flight.
Realistic popcorn accumulation and weight.
Realistic interaction between the woman and the popcorn.
No teleportation.
No duplicated character.
No duplicate popcorn bags.
No changing clothing.
No face drift.
No distorted hands.
No floating objects without physical cause.
AUDIO:
Natural environmental sound combined with cinematic action sound design.
Include wind around the crater, deep volcanic rumble, falling-object sounds, eruption impact, rushing air, popcorn impacts, cabin movement and the woman's natural laughter.
No dialogue.
No narration.
No subtitles.
No text overlays.
No logos.
No watermark.
FINAL LOOK:
Ultra-realistic live-action cinematic footage with a surreal comedy-adventure feeling.
The sequence must follow the 13-panel Master Storyboard exactly in chronological order.
The newly provided woman must remain the same recognizable person from the first frame to the last frame.
Only the character identity is changed. Everything else from the storyboard remains unchanged.
