即梦AI肢体与动态情绪表达
#肢体与动态#情绪表达
中文翻译
购物中心爆发丧尸袭击,反应敏捷的购物者用金属杆阻止袭击者。
Seedance 2.5
提示词:设在繁忙购物中心的电影式恐怖动作短片,开场即刻袭击,不缓慢铺垫,最大化动态摄影机运用,扎实可信的实物特效风格。商场里有店面、扶梯、垃圾桶、过着日常生活的购物者,以及明亮的商业照明。低饱和真实调色,全程自然的场景内声音,紧张配乐立即进入。
[0-1秒] 硬切:一名男子打开垃圾桶盖,要扔进一个包装纸——一只丧尸猛烈窜出,立即抓住他。
[1-2秒] 它咬入他的颈部,鲜血喷洒在垃圾桶表面,他倒了下去。
[2-3秒] 他跌到地板上,一动不动,血液在身下汇聚。
[3-4秒] 丧尸快速转身,扑向最近的一名路过女性。
[4-5秒] 她尖叫着后仰,丧尸抓住她的手臂,也把她拖倒。
[5-6秒] 恐惧在商场中蔓延——购物者尖叫,惊慌的人群奔向出口。
[6-7秒] 一位母亲将哭泣的孩子拉到身边,两人踉跄着远离混乱。
[7-8秒] 丧尸快速穿行人群,接连攻击一个又一个人,每个人都倒在它经过的路上。
[8-9秒] 远景:扶梯附近有人倒地,包和随身物品散落在地板上。
[9-10秒] 一名男子发现维修推车旁有一根长铁杆,迅速抓起。
[10-11秒] 他躲到一面支撑墙后,紧握铁杆,急促呼吸,注视着丧尸是否接近。
[11-12秒] 特写:他握在铁杆上的指节发白,双眼追踪前方混乱中的动静。
[12-13秒] 丧尸转过拐角,直接朝他所在的位置移动,不知道他正在等待。
[13-14秒] 他迅速迈出,用力挥杆击中它的侧身。
[14-15秒] 它踉跄着倒向商店栏杆,却开始撑着身体重新站起。
[15-16秒] 慢动作插镜:他再次举起铁杆,表情凶狠而专注。
[16-17秒] 他第二次用力砸下,击中它的肩膀,它进一步瘫倒。
[17-18秒] 它无力地向他伸手,尽管受损,仍试图攻击。
[18-19秒] 他第三次挥杆,结实地命中,终于将它打倒在地,一动不动。
[19-21秒] 远景:他站在它上方,胸口剧烈起伏,双手仍紧握铁杆。
[21-23秒] 他扫视遭到破坏的商场——翻倒的包、倒地的旁观者、从藏身处小心现身的幸存者。
[23-25秒] 几名幸存者谨慎地走近他,脸上交织着宽慰和恐惧。
[25-27秒] 他缓缓放下铁杆,向他们点头,疲惫但沉稳。
[27-30秒] 最后镜头:外面远处的警笛正在接近,他守在一动不动的丧尸旁,其他人在他身后聚集。
切至黑屏。全程自然的场景内声音——桶盖吱嘎声、尖叫、鲜血飞溅、哭泣、金属撞击、远处警笛、沉重呼吸——叠加紧张的器乐配乐,在混乱中逐渐增强,结尾转为警惕的平静。无文字叠加,无水印。最大化动态摄影机种类——特写、远景、跟拍,慢动作仅用于制服丧尸的时刻。只在身体撞击时出现真实震动,明亮的商业购物中心照明。,30秒。
在 @Flovaai @Flovaai_Japan 上使用 Seedance 2.5 创作 #Flovaai #Flovacpp
原帖
Zombie attack erupts at shopping mall, quick-thinking shopper stops attacker with metal rod.
Seedance 2.5
Prompt: Cinematic horror-action short film set in a busy shopping mall, opens with instant attack, no slow build, maximum dynamic camera work, grounded practical-effects style. Mall filled with storefronts, escalators, trash bins, shoppers going about their day, bright commercial lighting. Muted authentic color grading, natural diegetic sound throughout, tension score entering immediately.
[0-1s] Hard cut: a man opens a trash bin lid to toss in a wrapper — a zombie bursts out violently, seizing him instantly.
[1-2s] It sinks into his neck, blood spraying across the bin's surface as he collapses.
[2-3s] He drops to the floor, motionless, blood pooling beneath him.
[3-4s] The zombie turns fast, lunging at the nearest woman walking past.
[4-5s] She screams, falling back as it seizes her arm, dragging her down too.
[5-6s] Horror spreads through the mall — shoppers scream, sprinting toward the exits in a panicked crowd.
[6-7s] A mother pulls her crying child close, both stumbling away from the chaos.
[7-8s] The zombie moves through the crowd fast, attacking one person after another, each falling in its path.
[8-9s] Wide shot: bodies down near the escalator, bags and belongings scattered across the floor.
[9-10s] A man spots a long iron rod near a maintenance cart, grabbing it quickly.
[10-11s] He ducks behind a support wall, gripping the rod tight, breathing hard, watching for the zombie's approach.
[11-12s] Close-up: his knuckles white on the rod, eyes tracking movement through the chaos ahead.
[12-13s] The zombie turns the corner, moving directly toward his position, unaware he's waiting.
[13-14s] He steps out fast, swinging the rod hard into its side.
[14-15s] It staggers, falling against a store railing, but starts pushing itself back up.
[15-16s] SLOW MOTION insert: he raises the rod again, expression fierce and focused.
[16-17s] He brings it down hard a second time across its shoulder, it crumples further.
[17-18s] It reaches weakly toward him, still trying to attack despite the damage.
[18-19s] He swings a third time, connecting solidly, finally dropping it motionless to the floor.
[19-21s] Wide shot: he stands over it, chest heaving, rod still gripped tight in both hands.
[21-23s] He scans the wrecked mall — overturned bags, fallen bystanders, survivors emerging cautiously from cover.
[23-25s] A few survivors approach him carefully, relief and fear mixed on their faces.
[25-27s] He lowers the rod slowly, nodding at them, exhausted but steady.
[27-30s] Final shot: distant sirens approaching outside, he stands guard over the motionless zombie as others gather behind him.
Cut to black.Natural diegetic sound throughout — bin lid creaking, screaming, blood splatter, crying, metal impacts, distant sirens, heavy breathing — layered with a tense instrumental score building through the chaos and easing into wary calm at the end. No text overlay, no watermark. Maximum dynamic camera variety — close-ups, wide shots, tracking shots, slow motion reserved only for the takedown moments. Realistic shake only during physical impacts, bright commercial mall lighting., 30 seconds.
CREATED WITH SEEDANCE 2.5 ON @Flovaai @Flovaai_Japan #Flovaai #Flovacpp
