朝鲜时代生活纪录片提示词

视频提示词： 创作一段30秒、16:9、1080p超写实历史纪录片视频，描绘朝鲜王朝晚期/大韩帝国初期（约1890年代至1910年代）韩国普通人的日常生活。 关键参考规则： 提供的分镜图恰好包含六个场景。 仅将面板1用于0–5秒。 仅将面板2用于5–10秒。 仅将面板3用于10–15秒。 仅将面板4用于15–20秒。 仅将面板5用于20–25秒。 仅将面板6用于25–30秒。 不要在生成的视频中显示分镜网格、边框、面板说明或任何文字。 保留每个分镜面板的确切视觉特征： 相同的历史韩国环境、 相同类型的韩屋建筑、 相同的道路、 相同的市场布局、 相同的时代服饰、 相同的推车、 相同的动物、 相同的工具、 相同的摊位、 相同的道具、 相同的人群密度、 相同的光照方向、 相同的柔和历史色调、 相同的写实纪录片氛围。 视频必须看起来像真实修复的历史影像，而不是AI生成的图像、不是CGI、不是穿着服装的现代演员，也不是电影化的韩剧。 场景1——0–5秒——清晨村庄道路 精确重现分镜面板1。 从街道视角开始，位于同一条狭窄的泥土村庄道路上，周围是传统韩国韩屋和茅草屋。 道路从第一帧起就已有人活动。 农民自然地向前走，旁边是拉着木车的牛。 提着新鲜蔬菜篮子的女人自然地走过镜头。 另一位女人拿着传统容器，其他村民安静地在街上走动。 孩子们在更远的路上自然地移动。 细细的炊烟从屋顶缓缓升起。 人们不得摆姿势或盯着镜头。 镜头： 自然的平视历史纪录片镜头， 非常轻微的手持震动， 缓慢向前的观察式移动， 没有戏剧性的镜头运动。 自然过渡到下一个场景。 场景2——5–10秒——繁忙的传统市场 精确匹配分镜面板2。 展示同一个拥挤的传统韩国市场，有布制遮阳篷、篮子、蔬菜、干鱼、大米、陶器、织物、木制容器和时代商品。 市场必须感觉持续充满生机。 女人们自然地挑选蔬菜并与卖家交流。 粮商用传统木制量器量米。 顾客在摊位之间走动。 背着包裹的男人自然地穿过背景。 摊贩们动手、整理农产品、服务顾客并继续日常生意。 没有人对着镜头表演。 镜头以人眼高度缓慢穿过市场。 保持动作真实且非脚本化。 场景3——10–15秒——工人与食物准备 精确匹配分镜面板3。 从铁匠在锻炉旁积极工作开始。 他自然地举起锤子，在铁砧上敲击加热的金属。 只有在金属被敲击时才出现细小可信的火花。 附近木匠继续加工木材。 另一名工人修理大型木车轮。 前景中，女人们清洗并准备蔬菜。 蒸汽从锅中缓缓升起。 传统瓮缸、篮子、木制工具和作坊物品保持与参考中预期完全一致的位置。 每个人都独立而自然地工作。 没有人看向镜头。 镜头对工作区域进行非常缓慢的观察式平移。 场景4——15–20秒——庭院家庭生活 精确匹配分镜面板4。 展示同一个宁静的韩国韩屋庭院。 女人自然地晾晒洗过的白布。 年长的女人继续准备蔬菜。 孩子们坐在地上玩简单的手工传统玩具。 坐着的男人平静地用传统毛笔阅读或书写。 鸡自然地穿过庭院。 大型传统棕色瓮缸仍在房子旁边。 树枝随微风轻轻摇动。 保持整个场景平静而普通。 镜头基本静止，带有轻微的手持历史摄影机瑕疵。 场景5——20–25秒——乡间路边归来 精确匹配分镜面板5。 展示韩国农场工人自然地从劳作中返回。 背着柴火的男人朝镜头走来并略微走过镜头。 其他工人拿着时代农具。 女人们一起提着篮子行走。 牛稳稳地拉着木车沿土路前行。 在路边小食摊，摊贩自然地服务顾客。 传统屋顶、田野和山脉仍在背景中可见。 傍晚的光线应感觉自然且略带温暖。 镜头轻轻跟随人们的移动几秒钟。 没有戏剧性的跟拍镜头。 场景6——25–30秒——傍晚市场街道 精确匹配分镜面板6。 重现同一个繁忙的传统韩国市场街道，时间在傍晚初段。 传统灯笼已在木制店铺外温暖地发光。 家人和村民自然地穿过市场走回家。 孩子们紧跟在父母身边。 摊贩继续服务最后一批顾客。 一匹马和木车缓慢穿过街道。 提着篮子的人们自然地穿过画面。 蒸汽和淡淡的炊烟从食品摊向上飘散。 温暖的灯笼光与凉爽的傍晚氛围自然融合。 活动必须持续到最后一帧。 不要创造戏剧性的结尾。 不要让停下来看向镜头。 像历史摄影机只是停止录制，而普通生活仍在继续一样结束。 镜头与档案写实感： 专业早期纪录片/新闻片摄影机感觉。 大多为平视或略高的路边位置。 自然手持运动。 轻微重新构图。 非常缓慢的平移。 轻微摄影机震动。 轻微焦点呼吸。 偶尔轻微曝光变化。 符合时代的运动模糊。 轻微不完美构图。 没有无人机镜头。 没有现代稳定器运动。 没有电影式环绕。 没有摇臂镜头。 没有戏剧性慢动作。 没有速度渐变。 没有人工变焦效果。 视觉质量： 超写实韩国人脸。 自然皮肤纹理。 历史上可信的身体比例。 自然的行走和工作动作。 真实的织物物理。 真实的动物运动。 真实的烟雾和蒸汽。 真实的木材、石头、泥土和织物纹理。 应用微妙的修复档案外观： 细胶片颗粒、 略微柔和的色彩、 柔和对比度、 非常轻微的胶片闪烁、 微妙的历史镜头柔焦、 轻微胶片质感。 保持图像质量足够细致，感觉像被专业修复为高清的罕见历史影像。 历史锁定： 仅限朝鲜王朝晚期/大韩帝国初期韩国。 没有现代韩国服装。 没有现代发型。 没有现代化妆。 没有塑料。 没有智能手机。 没有电器。 没有现代汽车。 没有现代道路标线。 没有现代街道设施。 没有霓虹灯。 没有LED灯。 没有现代标志。 没有现代建筑。 没有当代产品。 没有现代广告。 没有幻想元素。 不要引入与所提供分镜不一致的日本、中国或现代韩国建筑元素。 音频： 仅自然环境氛围。 清晨： 鸟鸣、远处脚步声、木车轮声、牛的动作声。 市场： 轻柔人群交谈、脚步声、摊贩、篮子和推车声。 作坊： 金属锤击、木工、沸水和火声。 庭院： 轻柔家庭氛围、鸟和鸡声。 乡间道路： 脚步声、牛车轮声、安静乡村氛围。 傍晚市场： 轻柔交谈、马蹄声、推车、烹饪和远处市场声。 不要使用现代音乐。 不要使用电影预告片音乐。 没有旁白。 没有字幕。 没有标志。 没有说明文字。 最终目标： 完成的30秒视频应感觉像一段真实留存的、记录约1890–1910年韩国普通人生活的纪录片影像，每个5秒片段在视觉上都与所提供分镜中的对应面板匹配。

Seedance 2.5 brought Korea’s forgotten everyday moments back to life... glimpse into how ordinary people lived, worked, and moved through old Korea MASTER VISUAL REFERENCE for the entire video... Video prompt:: Create a 30-second, 16:9, 1080p ultra-photorealistic historical documentary video depicting ordinary Korean daily life during the late Joseon / early Korean Empire period, approximately 1890s–1910s. CRITICAL REFERENCE RULE: The supplied storyboard contains exactly six scenes. Use Panel 1 only for 0–5 seconds. Use Panel 2 only for 5–10 seconds. Use Panel 3 only for 10–15 seconds. Use Panel 4 only for 15–20 seconds. Use Panel 5 only for 20–25 seconds. Use Panel 6 only for 25–30 seconds. Do NOT display the storyboard grid, borders, panel captions, or any text in the generated video. Preserve the exact visual identity of every storyboard panel: same historical Korean environment, same type of hanok architecture, same roads, same market layout, same period clothing, same carts, same animals, same tools, same stalls, same props, same crowd density, same lighting direction, same muted historical color palette, same realistic documentary atmosphere. The video must look like genuine restored historical footage, NOT AI-generated imagery, NOT CGI, NOT modern actors in costumes, and NOT a cinematic K-drama. SCENE 1 — 0–5 SEC — MORNING VILLAGE ROAD Recreate Storyboard Panel 1 exactly. Start at street level on the same narrow dirt village road surrounded by traditional Korean hanok and thatched houses. The road is already active from the first frame. The farmer naturally walks forward beside the ox pulling the wooden cart. The woman carrying the basket of fresh vegetables walks naturally past the camera. Another woman carries her traditional container while other villagers move quietly through the street. Children move naturally farther down the road. Thin cooking smoke slowly rises from the rooftops. People must not pose or stare into the camera. Camera: natural eye-level historical documentary shot, very gentle handheld vibration, slow forward observational movement, no dramatic camera motion. Transition naturally to the next scene. SCENE 2 — 5–10 SEC — BUSY TRADITIONAL MARKET Match Storyboard Panel 2 exactly. Show the same crowded traditional Korean marketplace with cloth awnings, baskets, vegetables, dried fish, rice, pottery, fabrics, wooden containers, and period goods. The market must feel continuously alive. Women naturally inspect vegetables and communicate with sellers. The grain merchant measures rice using the traditional wooden measuring container. Customers walk between stalls. Men carrying bundles pass naturally through the background. Vendors move their hands, rearrange produce, serve customers and continue ordinary business. Nobody performs for the camera. Camera slowly pans through the market at human eye level. Keep movements realistic and unscripted. SCENE 3 — 10–15 SEC — WORKERS AND FOOD PREPARATION Match Storyboard Panel 3 exactly. Begin with the blacksmith actively working at the forge. He naturally raises the hammer and strikes heated metal on the anvil. Small believable sparks appear only when the metal is struck. Nearby the carpenter continues shaping wood. Another worker repairs the large wooden cart wheel. In the foreground, women wash and prepare vegetables. Steam slowly rises from the cooking pots. Traditional onggi jars, baskets, wooden tools and workshop objects remain exactly where expected from the reference. Every person works independently and naturally. No one looks toward the camera. Camera makes a very slow observational pan across the working area. SCENE 4 — 15–20 SEC — COURTYARD FAMILY LIFE Match Storyboard Panel 4 exactly. Show the same peaceful Korean hanok courtyard. The woman naturally hangs washed white cloth. The older woman continues preparing vegetables. The children sit on the ground playing with simple handmade traditional toys. The seated man calmly reads or writes using a traditional brush. The chicken naturally walks across the courtyard. Large traditional brown onggi jars remain beside the house. Tree branches gently move with the breeze. Keep the whole scene calm and ordinary. Camera remains mostly stationary with subtle handheld historical-camera imperfections. SCENE 5 — 20–25 SEC — RURAL ROADSIDE RETURN Match Storyboard Panel 5 exactly. Show Korean farm workers naturally returning from their work. The man carrying firewood walks toward and slightly past the camera. Other workers carry period farming tools. Women walk together carrying baskets. The ox steadily pulls the wooden cart along the dirt road. At the small roadside food stall, the vendor naturally serves a customer. Traditional rooftops, fields and mountains remain visible in the background. Late-afternoon light should feel natural and slightly warm. Camera gently follows the movement of the people for a few seconds. No dramatic tracking shot. SCENE 6 — 25–30 SEC — EVENING MARKET STREET Match Storyboard Panel 6 exactly. Recreate the same busy traditional Korean market street during early evening. Traditional lanterns are already glowing warmly outside the wooden shops. Families and villagers naturally walk home through the market. Children stay close to their parents. Vendors continue serving the last customers. A horse and wooden cart slowly move through the street. People carrying baskets pass naturally through the frame. Steam and light cooking smoke drift upward from food stalls. Warm lantern light mixes naturally with the cool evening atmosphere. The activity must continue until the final frame. Do NOT create a dramatic ending. Do NOT make people stop and look at the camera. End as though the historical camera simply stopped recording while ordinary life continued. CAMERA AND ARCHIVAL REALISM: Professional early documentary/newsreel camera feeling. Mostly eye-level or slightly elevated roadside positions. Natural handheld movement. Gentle reframing. Very slow pans. Subtle camera vibration. Minor focus breathing. Occasional slight exposure variation. Period-appropriate motion blur. Slight imperfect framing. No drone shots. No modern gimbal movement. No cinematic orbit. No crane shot. No dramatic slow motion. No speed ramp. No artificial zoom effects. VISUAL QUALITY: Ultra-photorealistic Korean human faces. Natural skin texture. Historically believable body proportions. Natural walking and working movements. Realistic fabric physics. Realistic animal movement. Realistic smoke and steam. Authentic wood, stone, earth and fabric textures. Apply a subtle restored archival look: fine film grain, slightly muted colors, soft contrast, very mild film flicker, subtle historical lens softness, minor film texture. Keep image quality detailed enough to feel like rare historical footage professionally restored into HD. HISTORICAL LOCK: Late Joseon / early Korean Empire Korea only. No modern Korean clothing. No modern hairstyles. No modern makeup. No plastic. No smartphones. No electric appliances. No modern cars. No modern road markings. No modern street furniture. No neon. No LED lights. No modern signs. No modern buildings. No contemporary products. No modern advertising. No fantasy elements. Do not introduce Japanese, Chinese or modern Korean architectural elements that are inconsistent with the supplied storyboard. AUDIO: Natural environmental ambience only. Morning: birds, distant footsteps, wooden cart wheels, ox movement. Market: soft crowd chatter, footsteps, vendors, baskets and carts. Workshop: metal hammer impacts, wood working, boiling water and fire. Courtyard: soft family ambience, birds and chickens. Rural road: footsteps, ox cart wheels, quiet countryside ambience. Evening market: soft conversation, horse footsteps, carts, cooking and distant market sounds. Do not use modern music. Do not use cinematic trailer music. No narration. No subtitles. No logos. No captions. FINAL GOAL: The finished 30-second video should feel like a genuine surviving documentary recording of ordinary Korean life from around 1890–1910, with every 5-second sequence visually matching its corresponding panel from the provided storyboard.