极限山地车AI视频提示词

你能感受到那种氛围吗？ GPT Image 2 + Seedance 2.5 在 @FishCreativeHQ 上 提示词 创作一个爆炸性的、高肾上腺素极限山地自行车动作序列，16:9，24fps，恰好30个不同的剪辑，总时长30-31秒。 一位身穿深灰色/黑色连帽夹克、黑色短裤、手套、背包和全脸头盔的独行骑手，骑着一辆蓝色全避震山地自行车，穿越广阔的高山景观，其中有陡峭的岩石坡、雪地、绿色松树、泥土小径和远处白雪覆盖的山峰，天空晴朗湛蓝。全程保持骑手轮廓、自行车颜色、服装细节、头盔设计和环境完全一致——切勿重新设计。 这部影片80%是纯粹的动态镜头运动，20%是环境戏剧性：激进的跟踪镜头、甩镜、快速变焦、速度变化、运动模糊、尘土和雪粒爆发、轮廓光耀斑和冲击震动。无文字、无图形、无标志——纯粹的电影级动作。 ### 剪辑列表 剪辑01 | 0.00–1.00秒 低位后方跟踪镜头：骑手在狭窄的泥土小径上用力踩踏，远离镜头，小径穿过绿色高山草甸、雪地和散落的松树；镜头低而紧地跟随，地面有轻微运动模糊。 剪辑02 | 1.00–2.00秒 镜头略微升高并加速；骑手倾斜进入一个平缓的左弯，两侧山脉戏剧性地升起；模糊的草和泥土的速度线。 剪辑03 | 2.00–3.00秒 骑手冲上一个短坡，然后下落到更陡的岩石路段；镜头保持在后方锁定，随着小径变窄有轻微荷兰角。 剪辑04 | 3.00–4.00秒 在不平的泥土和雪地上快速向前跟踪；骑手身体压车，背包移动；远处的山峰填满画面上部。 剪辑05 | 4.00–5.00秒 骑手接近一个尖锐的山脊；镜头降低，几乎贴近地面，后轮扬起尘土。 **剪辑06 | 5.00–6.00秒** 爆发性起跳：骑手和自行车离开地面，在岩石落差上方进行高难度后空翻/倒置空中动作；镜头向上倾斜，跟随整个旋转，背景是蓝天和山脉。 **剪辑07 | 6.00–7.00秒** 骑手重重落在陡峭的岩石面上，并立即加速下坡；镜头通过快速变焦和冲击震动恢复。 **剪辑08 | 7.00–8.00秒** 陡峭岩石下坡；骑手保持低位居中，自行车悬挂压缩；镜头从后方紧密跟踪，岩石表面有重运动模糊。 **剪辑09 | 8.00–9.00秒** 骑手在近乎垂直的岩石板上倾斜进入高速左转；镜头大幅摆动然后迅速回正。 **剪辑10 | 9.00–10.00秒** 另一个巨大的落差：骑手从悬崖边缘起跳，双臂伸展，自行车倒置在上方；镜头与他们一起自由落体，直视下方深谷。 **剪辑11 | 10.00–11.00秒** 空中恢复；骑手扶正自行车，落向陡峭的岩石面；镜头随运动旋转。 **剪辑12 | 11.00–12.00秒** 骑手落在近乎垂直的面上，开始受控的高速下降；镜头保持在正后方并略高。 **剪辑13 | 12.00–13.00秒** 极端角度，几乎垂直向下看悬崖；骑手在巨大的岩壁和远处谷底中是一个小剪影。 **剪辑14 | 13.00–14.00秒** 骑手继续陡峭下降，身体压低，自行车沿着岩石轮廓行驶；镜头持续轻微震动跟随。 **剪辑15 | 14.00–15.00秒** 轻微拉远，展现山面和远处山谷的全貌；骑手保持居中。 **剪辑16 | 15.00–16.00秒** 骑手斜切过一条对角岩石壁架；镜头随动作剧烈倾斜。 **剪辑17 | 16.00–17.00秒** 在狭窄的岩石脊上高速横穿；轮胎后扬起尘土和小石块。 **剪辑18 | 17.00–18.00秒** 骑手落入更陡的滑道；镜头随之下降，重运动模糊。 **剪辑19 | 18.00–19.00秒** 骑手出现在更宽阔的岩石坡上并加速；镜头略微升高以获得更宽的地形视野。 **剪辑20 | 19.00–20.00秒** 在开阔的岩石和雪地上快速跟踪；骑手保持低位和流线型。 **剪辑21 | 20.00–21.00秒** 骑手接近另一个山脊；镜头再次降低，几乎擦到岩石。 **剪辑22 | 21.00–22.00秒** 骑手进行一个较小的跳跃，身体压缩；镜头跟随弧线。 **剪辑23 | 22.00–23.00秒** 落地并立即加速下坡，坡面更平滑但仍然陡峭；镜头锁定紧密的后方跟踪。 **剪辑24 | 23.00–24.00秒** 骑手在坡上划出宽阔的弧线；远处的雪原和树木在画面下方可见。 **剪辑25 | 24.00–25.00秒** 在更开阔的岩石平原上高速行驶；镜头稍微拉远以展示完整景观。 **剪辑26 | 25.00–26.00秒** 骑手接近最后的陡峭落差；镜头降低并加速。 **剪辑27 | 26.00–27.00秒** 骑手从最后一个大边缘起跳，进行大空中动作；镜头与他们一起自由落体。 **剪辑28 | 27.00–28.00秒** 空中倒置/风格抓车；骑手和自行车在明亮的天空和远处山峰的映衬下形成剪影。 **剪辑29 | 28.00–29.00秒** 骑手落在有草和雪斑的坡上，立即用力踩踏向更密的树林线；镜头通过冲击震动恢复并继续跟踪。 **剪辑30 | 29.00–30.73秒** 最终高速跟踪镜头，骑手消失在更绿的较低坡上；镜头逐渐升高，画面慢慢过曝为明亮的高山光线。 ### 剪辑与声音 极其激进的节奏——每次主要地形变化或跳跃都硬切，持续跟踪，偶尔甩镜和快速变焦，重运动模糊，尘土/雪粒撞击，每次落地都有冲击震动。无文字、无图形、无慢动作，除了进入最大空中动作时的短暂速度变化。 背景音乐：重击电子/鼓点重的未来贝斯或激进的电影预告片音乐，带有深沉的低音下潜、上升器和毛刺填充，与每次跳跃和落地同步；轮胎尖叫、岩石撞击、风声呼啸和自行车悬挂压缩是节奏性声音设计元素。在最大的空中动作（剪辑06、10、28）达到能量峰值，并以寒冷、渐弱的风声结束。 高级AAA质量，照片级真实电影渲染，极限运动纪录片风格，骑手和自行车设计一致，恰好30个剪辑。 [回复]

Can you feel the vibe? GPT Image 2 + Seedance 2.5 on @FishCreativeHQ prompt Create an explosive, high-adrenaline extreme mountain-biking action sequence in 16:9, 24fps, exactly 30 distinct cuts, total runtime 30–31 seconds. A lone rider in a dark grey/black hooded jacket, black shorts, gloves, backpack and full-face helmet rides a blue full-suspension mountain bike through a vast alpine landscape of steep rocky slopes, snow patches, green pine trees, dirt trails and distant snow-capped peaks under a clear blue sky. Preserve the exact rider silhouette, bike color, clothing details, helmet design and environment throughout — never redesign them. This film is 80 % pure kinetic camera motion and 20 % environmental drama: aggressive tracking shots, whip pans, snap zooms, speed ramps, motion blur, dust and snow particle bursts, rim-light flares and impact shakes. No text, no graphics, no logos — pure cinematic action. ### CUT LIST CUT 01 | 0.00–1.00s Low rear tracking shot: rider pedals hard away from camera on a narrow dirt trail cutting through green alpine meadow, snow patches and scattered pines; camera follows low and tight, slight motion blur on the ground. CUT 02 | 1.00–2.00s Camera rises slightly and accelerates; rider leans into a gentle left curve, mountains rising dramatically on both sides; speed lines of blurred grass and dirt. CUT 03 | 2.00–3.00s Rider powers up a short incline then drops onto a steeper rocky section; camera stays locked behind, slight Dutch tilt as the trail narrows. CUT 04 | 3.00–4.00s Fast forward tracking over uneven dirt and snow; rider’s body pumps the bike, backpack shifting; distant peaks fill the upper frame. CUT 05 | 4.00–5.00s Rider approaches a sharp crest; camera drops lower, almost ground-level, dust kicking up from the rear tire. **CUT 06 | 5.00–6.00s** Explosive launch: rider and bike leave the ground in a high backflip / inverted aerial over a rocky drop; camera tilts upward to follow the full rotation against the blue sky and mountain backdrop. **CUT 07 | 6.00–7.00s** Rider lands hard on a steep rocky face and immediately accelerates downhill; camera recovers with a quick snap-zoom and impact shake. **CUT 08 | 7.00–8.00s** Steep rocky descent; rider stays low and centered, bike suspension compressing; camera tracks tightly from behind with heavy motion blur on the rock surface. **CUT 09 | 8.00–9.00s** Rider leans into a high-speed left turn on a near-vertical rock slab; camera swings wide then snaps back. **CUT 10 | 9.00–10.00s** Another massive drop: rider launches off a cliff edge, arms outstretched, bike inverted above; camera freefalls with them, looking straight down into the deep valley below. **CUT 11 | 10.00–11.00s** Mid-air recovery; rider rights the bike and falls toward a steep rock face; camera rotates with the motion. **CUT 12 | 11.00–12.00s** Rider lands on the near-vertical face and begins a controlled high-speed descent; camera stays directly behind and slightly above. **CUT 13 | 12.00–13.00s** Extreme angle looking almost straight down the cliff; rider is a small silhouette against the massive rock wall and distant valley floor. **CUT 14 | 13.00–14.00s** Rider continues the steep descent, body low, bike tracking the rock contours; camera follows with continuous slight shake. **CUT 15 | 14.00–15.00s** Slight pull-back revealing the full scale of the mountain face and the valley far below; rider remains centered. **CUT 16 | 15.00–16.00s** Rider cuts across a diagonal rock ledge; camera banks hard with the movement. **CUT 17 | 16.00–17.00s** High-speed traverse on a narrow rock spine; dust and small rocks kick up behind the tires. **CUT 18 | 17.00–18.00s** Rider drops into a steeper chute; camera drops with them, heavy motion blur. **CUT 19 | 18.00–19.00s** Rider emerges onto a broader rocky slope and accelerates; camera rises slightly for a wider view of the terrain. **CUT 20 | 19.00–20.00s** Fast tracking across open rock and snow patches; rider stays low and aerodynamic. **CUT 21 | 20.00–21.00s** Rider approaches another crest; camera drops low again, almost scraping the rock. **CUT 22 | 21.00–22.00s** Rider launches a smaller jump, body compressed; camera follows the arc. **CUT 23 | 22.00–23.00s** Landing and immediate acceleration down a smoother but still steep face; camera locks in tight rear tracking. **CUT 24 | 23.00–24.00s** Rider carves a wide arc across the slope; distant snow fields and trees become visible lower in the frame. **CUT 25 | 24.00–25.00s** High-speed section on a more open rocky plain; camera pulls back slightly to show the full landscape. **CUT 26 | 25.00–26.00s** Rider approaches the final steep drop-off; camera lowers and accelerates. **CUT 27 | 26.00–27.00s** Rider launches off the last major lip into a big aerial; camera freefalls with them. **CUT 28 | 27.00–28.00s** Mid-air inversion / style grab; rider and bike silhouetted against the bright sky and distant peaks. **CUT 29 | 28.00–29.00s** Rider lands on a grassy, snow-patched slope and immediately pedals hard toward a denser tree line; camera recovers with impact shake and continues tracking. **CUT 30 | 29.00–30.73s** Final high-speed tracking shot as the rider disappears into the greener lower slope; camera gradually rises and the frame slowly overexposes to bright alpine light. ### Editing & Sound Extremely aggressive rhythm — hard cuts on every major terrain change or jump, continuous tracking with occasional whip pans and snap zooms, heavy motion blur, dust/snow particle hits, and impact shakes on every landing. No text, no graphics, no slow-motion except brief speed-ramps into the biggest airs. BGM: hard-hitting electronic / drum-heavy future bass or aggressive cinematic trailer music with deep sub drops, risers, and glitch fills locked to every jump and landing; tire screeches, rock impacts, wind whooshes and bike suspension compressions are rhythmic sound-design elements. Peak energy on the biggest airs (CUT 06, 10, 28) and end with a cold, fading wind stinger. Premium AAA quality, photorealistic cinematic rendering, extreme sports documentary style, consistent rider and bike design, exactly 30 cuts.